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Hannah Höch
Hannah Höch (; November 1, 1889 – May 31, 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. ==Biography== Hannah Höch was born Anna Therese Johanne Höch〔Biro 2009, p. 199.〕 in Gotha, Germany. In 1912 she began classes at the School of Applied Arts in Berlin under the guidance of glass designer Harold Bergen.〔Makela 1994, p. 13〕 She chose the curriculum glass design and graphic arts, rather than fine arts, to please her father.〔Makela 1994, p. 13〕 In 1914, at the start of World War I, she left the school and returned home to Gotha to work with the Red Cross.〔Makela 1994, p. 49〕 In 1915 she returned to school, entering the graphics class of Emil Orlik at the National Institute of the Museum of Arts and Crafts.〔Gaze 1997, p. 699〕 Also in 1915, Höch began an influential friendship with Raoul Hausmann, a member of the Berlin Dada movement.〔 Höch's involvement with the Berlin Dadaists began in earnest in 1917. After her schooling, she worked in the handicrafts department for Ullstein Verlag (The Ullstein Press), designing dress and embroidery patterns for ''Die Dame'' (The Lady) and ''Die Praktische Berlinerin'' (The Practical Berlin Woman). The influence of this early work and training can be seen in her later work involving references to dress patterns and textiles. From 1926 to 1929 she lived and worked in the Netherlands. Höch made many influential friendships over the years, with Kurt Schwitters and Piet Mondrian among others. Höch, along with Hausmann, was one of the first pioneers of the art form that would come to be known as photomontage.
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